Camera Gear

My Camera Setup

The cameras, lenses, lights, audio, and support I actually shoot with. Everything here is gear I own and would buy again. Buy links let you pick Amazon, B&H, and more — as an affiliate I may earn a small commission, at no extra cost to you.

Cameras Lenses Lighting Audio Support

Filming

Cameras

Bodies I shoot on every week.

Lumix S1IIE

Main camera. The body I reach for most days.

Lumix S1II

Heavy-duty body when I want CFexpress / SSD recording and long takes on external power.

Lumix S9

Lumix S9

Third camera. Compact full-frame when I want something smaller without leaving L-mount.

DJI Osmo Pocket 3

Pocket camera for quick B-roll and run-and-gun.

Filming

Lenses

Glass for talking-head and B-roll.

Lumix 24-60mm F2.8

Main talking-head lens. Zoom lets me frame tighter or wider without moving the whole rig.

Lumix 24-105mm F4

My main B-roll lens. Super versatile, and sharp even for closeups.

Lumix S 24mm F1.8

One of my main talking-head lenses when I want more background in the shot. Ultra sharp, great in low light.

Lumix S 35mm F1.8

Talking-head lens for a slightly closer look. Sharp, shallow depth of field — don’t use it as much as I should.

Lumix 14-28mm

Wide zoom with macro. Great for large areas, behind-the-scenes, and wide macro shots.

Filming

Lighting

Key, soft source, background tubes, and desk ambience.

Amaran 200d S

Amaran 200d S

Main key light. Plenty bright for talking head and B-roll.

Amaran lantern softbox

Amaran Lantern Softbox

Main modifier on the key. Soft, even light for talking-head shots.

Amaran pixel tubes

Amaran PT2c & PT4c

Pixel tubes in the background for color and fill.

Philips Hue gradient light tubes behind desk

Philips Hue Gradient light tubes

Gradient tubes behind the desk for ambience.

Filming

Audio

Mics and the XLR path into the Lumix bodies.

Sennheiser MKH 50

Sennheiser MKH 50

Primary shotgun when I want that polished interview sound.

DPA 4017B

The fancy shotgun. Clean, detailed pickup when I want high-end DPA character.

DJI Mic 3

When I want wireless, this is what I use.

Lumix DMW-XLR2

Lumix DMW-XLR2

XLR adapter for the Lumix bodies, including 32-bit float on the S1II.

Filming

Support & Media

Tripods, arms, monitoring, and recording media.

iFootage TA-6S tripod

iFootage TA-6S

High-quality tripod. The top leveling bowl means I’m not constantly adjusting all three legs.

iFootage K5S fluid head

iFootage K5S

Smooth, compact fluid head. Love the quick-release system — I keep three of them.

iFootage monopod

iFootage Monopod

Fast B-roll with more stability. The pedal base unlocks some fun moving shots too.

Camera on a motorized slider

iFootage Shark Slider Nano 2

The secret sauce behind my B-roll. Fast, easy, and always ready.

Boom arm and studio mic setup

iFootage Support Arm

Boom pole for my microphone, clamped straight to the tripod.

iFootage magic arms

iFootage Magic Arms

Short and long arms with quick release. I use them for a monitor and other accessories.

OWC Atlas CFexpress Type B

OWC Atlas CFexpress Type B

Fast CFexpress Type B cards for the S1II / S1IIE — RAW-friendly write speeds for long takes.

Angelbird AV Pro V90 SD cards

Angelbird AV Pro V90

Reliable UHS-II SD cards for 10-bit footage. No sticker on the body is a nice touch.

SanDisk Professional Pro-Blade SSD

SanDisk PRO-Blade SSD Mag

I record a lot straight to SSDs. Modular Pro-Blade mag for camera recording.

Kondor Blue Pro-Blade Handle

Top/side handle for recording directly to Pro-Blade SSDs on camera.

Tilta BLK22 Charging Station

Four-battery charging kit for Lumix BLK22 packs — keeps S5II / S1 bodies topped up.